In her reduced, almost sculptural visual language, Pola Sieverding explores the dynamics of touch in the photographic series touche-touche. Two bodies meet, hands grasp, embrace, intertwine - a tactile moment, a wavering between holding and letting go. Every gesture holds the potential for turmoil - tender, disturbing, seductive. In this ambivalence lies the tension that Jean-Luc Nancy describes as ‘touche-touche’: Touch as reciprocal movement, as contact that stirs, shifts, moves. It is impossible to touch without being touched yourself. This reciprocity is not only erotic, but existential - a play of the body with the outside, with its boundaries, its skin.